![]() ![]() Then, as an additional bonus, singer and it-girl Fergie, belts out a clearly audible “L’Chaim”, which is frequently sung out loud by female JYAs when the song is in the background. Such a blatant reference from such a popular non-Jewish band is enough to get the heart of any JYA palpitating. Specifically, the band makes the dubious rhyme of “Fill up my cup / Mazal Tov”. One possible explanation for this unprecedented coupling is that the song features references to things all JYAs recognize in the chorus. Yet their song has resonated with the hearts and booties of JYAs everywhere. None of the members of the band are Members of the Tribe, none went on a Birthright trip, and none of them went to the Matzah Ball. Interestingly, there is no direct correlation between any members of the Black Eyed Peas and JYAs. Recently, over the past couple of years, Jewish Young Adults across the lands have found their own anthem in “I Gotta Feeling”, by the Black Eyed Peas.įrom mega-bars in Tel Aviv, to wedding receptions in London from Hillel mixers to your little cousin’s Bat Mitzvah, “I Gotta Feeling” has become the de rigueur theme song wherever JYAs are present. ![]() Every country has one of these songs, every club in the English Premier League, and every college basketball team. It is a song of praise, support, and unfaltering loyalty to your team, sung at the top of your lungs with patriotic fervor. ![]() Anybody who has ever been to a live sporting event should easily recognize Queen’s arena-rock anthem “We Will Rock You”. ![]()
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![]() ![]() *Please note that all functions, features, specs and any other product information provided on any Xiaomi and subsidiary platform, including but not limited to, benefits, design, pricing, components, performance, availability and capabilities describing the product are subject to change and changed by the company when deemed necessary without any notice or obligation. ![]()
![]() In case you are bordered about songs when making videos, VivaVideo comes with photos and up-to-date music that you can add to your videos without having to go search for and download them first. You’d be able to edit, trim and cut videos with this video editor, while also being able to merge videos, edit and include music in videos, add stickers, add texts, and upload straight to your online video sharing platforms like YouTube, Instagram, and TikTok straight from inside the app. While this app also comes with a pro plan as we have on others, it comes with a ton of amazing features that you can enjoy for free, especially when you are running on a budget. When it comes to free video editing apps for android and iPhones, VivaVideo is one we will always recommend as we have been using it on personal projects since it was first released on the market. Read also: Best Free Screen Recorders for Windows 10 VivaVideo – Best 60fps Video Editor Android But for all the features you need from a video editor, the FilmoraGo easily passes as one of the best free video editing apps for android phones. So you’d have to decide if your jobs are important enough to not have the watermarks. I noticed that while the free plan has pretty much all the features you need, you will need to subscribe to the VIP plan to be able to export the videos without watermarks. You’d also be able to add stickers and texts to videos using different fonts, animations, and emojis, you’d be able to blur backgrounds in your videos, reduce or increase the audio speed and even add certain voice enhancements to improve the quality of your audios. Some other features we would expect, with FilmoraGo checking the boxes is video cutting and trimming, video export in HD quality at pretty much any aspect ratio, being able to add different color filters to a video, and being able to share on all our video sharing platforms straight from inside the app. It’s also beginner-friendly, which is something I can’t confirm about the first app on this list. If you’re planning to make videos for YouTube, Instagram, TikTok, IGTV, and WhatsApp, here is one video editing app you should try, for free.įilmoraGo comes with a full-featured video editor, and you’d be able to create videos with pictures, music stickers, and sound effects easily. It’s free, and like Adobe Premiere Rush, comes with some of the best features you would expect from a video editing app. Read also: OBS Studio System Requirements for Windows and Mac FilmoraGo – Best Video Editing App for YouTube, Instagram, and TikTokįilmoraGo is another top-quality video editing app we will recommend for android users. So if you are making YouTube and Instagram skits that are under 10 minutes, I will really recommend that you add this app to your list of tools to use. The one thing I didn’t seem to like about this APK is the fact that it only has around 10 minutes of video that you can produce on the free plan, and this is free of watermarks. Adobe Premiere Pro is quite pricey for a beginner or someone who doesn’t have extra funds to throw at a full Adobe subscription. While also available for free, Adobe Premiere Rush remains one of the best video editing apps you can download for your mobile device.
![]() “She’s in her early 20s but just feels wise beyond her years,” said “Wolf” screenwriter Terence Winter. Of course not just any ascendant ingenue could expect to wield such persuasive power over one of Hollywood’s preeminent alpha males. “And Leo’s like, ‘Oh my God, you’re right!’ ” Thanks to Robbie’s provocative remark, DiCaprio is shown getting up close and personal with the candle. It is disheartening that in an era of feminism women can still be relegated to roles, in the films of one of this era’s most popular directors, that perpetuate stereotypes of females as sexy, helpless, and unable to exist outside of their male counterparts.PHOTOS: Movie scenes from ‘The Wolf of Wall Street’ This lack of strong female characters is unfortunately a theme in many of Scorsese’s films, ranging from The Departed to Goodfellas. In the theater, people clapped and cheered for Belfort's debauchery, never pausing to really notice the women he used and abused along the way. Yet perhaps the most disturbing aspect of this distinct lack of strong female characters is the fact that no one seems to have cared enough to stop laughing and start thinking. The amount of nudity and sex scenes force the women of Wolf of Wall Street into categories, stereotyping them instead of creating thoughtful and dynamic characters that are allowed to break out of their spheres to truly influence the tide of the film. Certainly women of the 80s contained more thought and opinion then those developed on screen, despite their stereotypical roles. Instead they are, as Belfort explains in a teary-eyed speech, single mothers rising from nothing to Armani suits. The few women who are stockbrokers in the film are just as power-hungry as the men, yet we hear no mention of their philandering. It could also accurately portray the realities of the financial industry as a profession. The misogynistic portrayals of women in Wolf of Wall Street could represent a time period in which women were relegated to certain spheres and were unable to lead lives outside of their husbands. We are meant to perceive the woman in a negative light, since she is abandoning Belfort in his time of need, despite the fact that Belfort continuously cheats on his wife and even abuses her and their children. Even Lapaglia, Belfort's supposed foil and the love of his life, is portrayed as a sex-crazed gold-digger who immediately dumps Belfort after he is arrested and loses his money. In a poignant scene in which Petrillo discovers Belfort snorting cocaine off Lapaglia's chest, Petrillo simply breaks down and cries, refusing to fight with Belfort for their marriage and instead disappearing, alongside Belfort's supposed three children, for the rest of the film. While the replacement does underscore Belfort’s transformation due to money and power, the women are used as foils rather than characters. He is utterly consumed with lust for Lapaglia, exemplified by the tantalizing scene (seen above) in which Lapaglia teases Belfort mercilessly for his sexual deviance. Lapaglia is a sex symbol, taking over Belfort's mind and body as his first wife, Teresa Petrillo, portrayed by Cristin Milioti, is discarded for the blonde bombshell. ![]() ![]() We are introduced to the leading lady Naomi Lapaglia, played by Margot Robbie, halfway through the film as Belfort hosts a massive party to celebrate his excesses. Hooker and stripper discussions aside, (although Jordan Belfort, played by Leonardo DiCaprio, does go on a five minute rant about the varieties of hookers he has sex with) The female leads are not only tragic but also one-dimensional, used only to further the story. In comparison to the women in American Hustle, the women of Wolf of Wall Street are sorely lacking in depth, strength, and feminism. The lack of strong female characters in The Wolf of Wall Street, a film heralded as one of the best of the season, raises interesting questions about how women are portrayed as accessories to their leading men. Men and women alike laughed unabashedly at the depiction of women as hookers, strippers, money-grubbing girlfriends, or helpless wives unable to curb their husbands' drug and sex addictions. The crowded theater tittered with laughter every time a naked or nipple-pasty-wearing hooker stumbled drunkenly around the screen or collapsed in a quaalude stupor. ![]() ![]() ![]()
![]() This show could use a bit of thematic variety. Back seat of a bus, can’t imagine that’s very comfortable.ĭid you catch the subtle ‘Attack On Titan’ reference they were going for, what with Blonde hair boy’s steam nostril-blowing face encroaching into Black hair boy’s personal space? It was funny… until it wasn’t… Subtle you say… I thought it was a great little sequence. Also, there’s been similar scenes in every episode so far. Oh he couldn’t stop himself because he loooooves me soooo much…Aren’t I lucky!!! I can’t say I enjoyed watching the bus scene but at least it shows that Takato isn’t really enjoying it either and would be happier without these moments. I just get very annoyed when abuse is presented as normal or even *desirable*. ![]() ![]() Even with getting happy endings through questionable methods. I’m actually fairly ok with unhealthy relationships and garbage people being represented in fiction. ![]() So… this episode is titled ‘Molestation Just Don’t Do It’ and I don’t know about you but that already put me on edge… but at the same time I was like, “well at least they know they’re being problematic so maybe it’ll address some ~issues~” and well, then there’s the bus scene… Well the name of the show is “I’m being harassed…” so it’s par for the course. Episode 3 of me and Irina’s collab reviews on DAKAICHI, I’m represented by the bold text while Irina (from I Drink And Watch Anime) is not in bold. ![]() ![]() ![]() ![]() While I realize that what I wrote didn’t sound like the most compelling thing in the world, when moments like that are simply a couple of seconds interspersed with homing attacking from enemy to enemy, dodging spikes, and dashing through the level at ludicrous speeds, it’s pretty cool. Sonic might start grinding on a rail only to be dropped off on a platform further in the background than the original one, then bounce off of a spring and land closer to the screen than ever before. Sliding ability aside, act 2 was wild, making clever use of the 3DS’s 3D capabilities to add to the frenetic pace of the game. Sonic could slide if the player tries to crouch while boosting, but aside from getting through a few momentum-blocking barriers, I didn’t find much use for it. For one thing, the spin dash has been eliminated entirely, instead focusing Sonic’s skills into his invincible boost (performed with the Y button) and homing attack (the jump button again in midair). Inspired by the "Modern" segments in the console versions of Generations, this 3DS version was still a side-scroller, but had changed around some things from the side-scrolling Sonic most are familiar with. Admittedly, the invincibility powerup I found was instrumental to my success, but I cleared the stage in 38 seconds! Those 38 seconds were fun, mind you, but very brief and straightforward.Īct 2, however, was a different story. The biggest differences I found were that Classic Sonic could no longer enter his rolling spin-dash with a single button and that the level was incredibly short. Momentum-based platforming, physics very similar to Sonic 1, and iconic Green Hill Zone enemies and music. ![]() Naturally, I started with the first act and found an experience very similar to the classic Sonic level that I played on the PS3. I can’t help but wonder if Sega is going to do this with the console version as well… On 3DS, the option to play as Classic or Modern Sonic was relegated to a choice between two of the zone’s "acts." Act 1 was Classic Sonic, with act 2 assigned to Modern. Shortly after trying out Sonic Generations on PS3 and 360 (one level on each!), I sat down with the game’s portable brother. ![]() ![]() ![]() Some were motivated by the need for self-defense, others by sentiments of ethnic solidarity, and still others, including non-Fulani, by simple economic opportunism. ![]() As a result, between 20, an increasing number of herders found themselves joining criminal gangs or forming pastoralist militias. Environmental degradation and population growth have helped fuel a sense of resource scarcity, though residents and community leaders mostly identify government corruption in apportioning land titles and settling of disputes as factors that pushed both farmers and herders to begin arming themselves. Though the divisions are often blurry in practice, farmers belong largely to the Hausa community and herders to the Fulani. Land-use conflict in northwest Nigeria has increased dramatically in recent decades, driving a wedge between Hausa and Fulani communities. Since then, however, the presence of armed gangs has grown dramatically as a result of increased tensions between farmers and herders and the proliferation of small arms and light weapons throughout West Africa, exacerbated by Libya’s collapse in 2011. But as recently as fifteen years ago, crime remained a generally non-lethal problem in the region and bandits were few in number. As a rural region and hub of trans-Saharan trade, what is today northwestern Nigeria has experienced cattle rustling and highway robbery since pre-colonial times. ![]() ![]() Today’s banditry crisis is the culmination of years of deteriorating political, economic, and security conditions in northern Nigeria. A more effective campaign to defeat banditry requires a better understanding of the factors that drive it. Yet this campaign risks inadvertently strengthening the bandits and giving them a newfound unity. The Nigerian government is currently engaged in a renewed crackdown on banditry, deploying soldiers, cutting off cellphone networks and promoting anti-bandit vigilantes. Many Nigerians, even those directly affected by the conflict, do not have a clear idea of who the “bandits” are and what they hope to achieve. The banditry crisis contains elements of criminality, interethnic conflict, terrorism, and warlordism, and, what’s more, the salience of these various dimensions changes over time and between individual actors. Indeed, the term “bandits” is itself one that may sound romantic or quaint to many Westerners, obscuring the intense nature of the conflict. Part of the challenge is that the militancy in northwest Nigeria does not fit neatly within any of the paradigms through which Western observers generally frame African conflicts. But the conflict in the northwest should not be ignored simply because it doesn’t fit within the still-potent “Global War on Terror” paradigm and because its participants are not broadcasting their propaganda on global jihadi channels. The conflict in the northeast is driving an acute humanitarian crisis, tying up a significant chunk of Nigeria’s security resources, and adding to fears of a regional metastasization of Salafi-jihadism. Yet when it comes to insecurity in Nigeria (of which there is no shortage) the overwhelming priority for Western policymakers is northeastern Nigeria, site of the Boko Haram and Islamic State West Africa Province insurgencies. The bandits number in the low 10,000s, making them more numerous than the country’s jihadists, and they have developed surprising fighting capacity, shooting down military jets and breaching the Nigerian Defence Academy. The Nigerian state is all but absent from large swathes of the northwest, with even the federal highways unsafe for government officials and their armed escorts. Since the mid-2010s, fighting has killed at least 12,000 (the true toll is likely much higher), displaced over a million people, and led to the shuttering of hundreds of schools and colleges across the region. Northwestern Nigeria is suffering from an intense, destabilizing conflict that has flown under the radar of international policymakers and analysts. ![]() ![]() ![]() REAKTOR PRISM – flexible polyphonic synthesizerĮligibility to purchase upgrades to full 8 GB MASCHINE Factory LibraryĪnd KOMPLETE SELECT with 25GB of instruments and effects MASSIVE – heavyweight virtual analog synthesizer ![]() Selection) provided as a download upon hardware registrationįull versions of three popular KOMPLETE plugins, worth over $300,Īvailable for download from Native Access after hardware registration: MASCHINE software (full Maschine application plus 1.6 GB Factory (full MASCHINE software plus 1.6 GB MASCHINE Factory Selection),ġ GB free disk space for MASSIVE, MONARK and REAKTOR PRISM USB 2.0 Port, 3 GB free disk space for MASCHINE ESSENTIALS MacOS 10.12 or macOS 10.13 (latest update), Intel Core i5, Windows 10 (latest update, 64-bit), Intel Core i5 or equivalent
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